The audiophile
industry gets away with extraordinary money delivering ever more negligible
improvements in quality. blog.mindrocketnow.com
Have you ever wondered why the high end hi fi industry
exists? (If you have, then it’s patently not for you.) It’s for people like me
– not because I can afford the exotic stuff, but because I can’t. I can’t but I
still want it, so I buy the best thing that I can afford. So this got me
thinking, since hi fi is by its nature subjective and intensely personal, what
does “best” mean in this context?
In many respects, audiophile audio equipment (hi fi) is the
perfect product to sell. Like shampoo, there are many “science bits” that make
the case why a piece of equipment should be objectively better. The science is
also invariably complicated, because it ekes out diminishing returns by
addressing esoteric electromagnetic phenomena, so need to be explained to us by
the product “scientists” thus arming us with social proof.
My favourite example of this used to be for audio cables.
The marketing literature for the more exotic (eye-wateringly expensive) cables
would confidently discuss skin effect and dielectric biasing as plausible
justification. And when the science is challenged, manufacturers often fall
back on ultimate justification: measurement
isn't everything, it just sounds better.
So why do we do agree to have auditory snake oil sold to us?
Because subjectively, there is a difference. Even if you’re the kind of person
that levels small differences instead of sharpening them, given two
reproductions of music sufficiently different in quality, even you can tell the
difference. I have done comparative listening tests (not double blind, nor ABX
– perhaps that should be the topic of another blog) and heard differences in
soundstage, in delineation of instrumentation, in the shape of notes, and the
space between notes. I’m therefore convinced that there are further
improvements to be made, through investing in “better” equipment.
I also think that the difference diminishes with investment.
And therein lies the cognitive dissonance. If I were to spend that much money
on an upgrade, it must be better, therefore it is better. But amount of “better” diminishes as the amount of money
spent increases – which normally makes me keep my credit card reluctantly in my
pocket.
Don’t get me wrong, I still want to buy the esoteric milled
aluminium boxes of audiophile goodness. But because I have to ask how much
something is, not only can I not afford it, but it seems that I’m not the right
type of person to own it. There is still a lot of snobbishness in this industry
that makes me cross. But it does comfort me that there are people out there who
do spend more than some mortgages on audio reproduction – and that they’ve just
been parted from that money.
In a next blog, I’ll look at what “best” means in a digital
audiophile world, delving into bit rates, bit depths, Shannon theorem, and
delta-sigma signal processing - and why it matters.
More in this series: part
2.